- Jun 15
How to Handle Revisions and Take Animation Feedback Like a Pro
(Welcome back to our Animation Career Series! If you missed our last post on the 4 steps to getting a studio job, check it out here. Today, we are diving deep into the most critical soft skill every professional animator needs.)
You’ve spent days on a shot in Toon Boom Harmony. The timing feels snappy, the arcs are smooth, and you’re incredibly proud of the acting. You submit it for review, only for it to come back covered in red draw-overs and a list of revisions from the director.
If your first instinct is to feel defensive or crushed, you are not alone. It is completely natural to feel attached to your art. But in the commercial animation industry, how you handle that feedback will often dictate how far your career goes.
Studios don't just re-hire animators who draw well; they re-hire animators who are easy to work with, implement notes accurately, and leave their egos at the door. Here is how to master the art of the revision.
1. Separate Your Ego From the Shot
The hardest lesson to learn as a junior animator is that commercial animation is not a solo art project; it’s a team sport.
When a director gives you a note, they aren't saying you are a bad animator. They are looking at the big picture - how your shot cuts together with the shot before it, how it fits the overarching style of the show, or how it serves the narrative. The note is about the shot, not about you. Embrace the mindset that you and the director are on the same team, working together to solve a visual puzzle.
2. Never Guess - Ask Clarifying Questions
If a director gives you a note like "make the character feel heavier," and you aren't exactly sure what they mean, do not just start tweaking keyframes and hoping for the best.
Professionals ask clarifying questions before they start revising.
"Are we talking about adding more timing on the landing, or slowing down the anticipation?"
"Would you like me to adjust the timing, or push the poses further?"
Asking for clarification shows that you care about getting it right the first time. Guessing wastes the studio's budget and your time.
3. Protect Your Workflow in Toon Boom Harmony
Revisions can sometimes break your scene if you aren't careful. Before you start tearing apart your timeline to address a heavy note, practice good software hygiene.
Version Up: Always save a new version of your scene before making major changes (e.g.,
Shot_01_v02). If the director decides they actually liked the original version better, you want to be able to revert instantly without having to re-animate.Keep a Clean Node View: Supervisors and lead animators will occasionally need to open your Harmony file to help you fix a problem. If your node view is a tangled mess of unconnected pegs and rogue drawing layers, it frustrates the pipeline. Organise your nodes and use backdrops (especially if you add something that isn't in the standard rig).
4. Communicate Like a Professional
Communication in a studio setting needs to be clear, prompt, and solution-oriented.
Acknowledge Receipt: When you get notes, reply with a quick "Received, I'll get started on these." Don't leave your coordinator or director wondering if you saw the email or Slack message.
Flag Issues Early: If a rig is broken, or if addressing a note is going to take three days instead of three hours, communicate that immediately. Studios can handle bad news, but they get frustrated and stressed with late bad news.
Check Them Off: When you resubmit the shot, list the exact notes you addressed. ("Hey, v02 is uploaded. I've adjusted the timing on the jump and fixed the intersecting arm.")
Practice Taking Notes Before the Pressure is On
The tricky thing about learning to handle studio feedback is that it’s almost impossible to practice when you are just animating alone in your bedroom. You need another set of trained eyes on your work.
That is exactly why I built The Animators Way, a 10-week mentorship course.
During this mentorship, you aren't just making showreel shots blindly; you are getting your scenes reviewed by me, week by week. I will give you the exact kind of constructive, professional feedback you will experience in a real studio. It is a safe environment to learn how to implement notes, adjust your workflow, and polish your skills until they are broadcast-ready.
You can learn more about the mentorship and secure your spot at adamsanimationacademy.com.